{"id":660,"date":"2025-11-19T06:18:11","date_gmt":"2025-11-19T06:18:11","guid":{"rendered":"https:\/\/luukdeweert.nl\/?page_id=660"},"modified":"2026-03-01T09:46:53","modified_gmt":"2026-03-01T09:46:53","slug":"links","status":"publish","type":"page","link":"https:\/\/luukdeweert.nl\/index.php\/links\/","title":{"rendered":"Links"},"content":{"rendered":"\n

Premium Photography Links<\/strong><\/h1>\n\n\n\n


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Color negative film inversion<\/a><\/strong><\/p>\n\n\n\n

(Web page<\/em>) Alex Burke explains how he developed a manual method for inverting color negatives that works with any film scanning setup, after finding existing software inadequate for drum scans. While plugins like Negative Lab Pro and ColorPerfect offer automation, the manual approach provides greater control, better color accuracy, and a deeper understanding of the process.<\/p>\n\n\n\n


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Developing B&W film<\/a><\/strong><\/p>\n\n\n\n

(YT Video<\/em>) Learn advanced film development techniques to match your scene’s contrast. Professor Agar uses a teeter-totter analogy to explain the relationship between exposure and development. This lecture features influential photographers and their work, illustrating various approaches to film manipulation.<\/p>\n\n\n\n


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Merrill Foveon L layer swap in LAB mode<\/a><\/strong> <\/p>\n\n\n\n

(DPReview forum thread<\/em>) “How to combine mono and color SPP images for sharpening control”.<\/p>\n\n\n\n


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sRGB vs AdobeRGB vs ProphotoRGB<\/a><\/strong><\/p>\n\n\n\n

(Web page<\/em>)Photographylife. Color spaces are essential in photography; they apply in some way to every photo you take. The most well-known color spaces are sRGB, Adobe RGB, and ProPhoto RGB. But what makes them so important?<\/p>\n\n\n\n


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M42 Lens Database<\/a><\/strong><\/p>\n\n\n\n

(Web page<\/em>) The most comprehensive list of M42 lenses for vintage glass enthusiasts.<\/p>\n\n\n\n


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Capture One Clarity, Structure and Sharpness<\/a><\/strong><\/p>\n\n\n\n

(YT Video<\/em>)Paul Reiffer. An in-depth guide to three of the key tools used to enhance detail, contrast and sharpness of your images in Capture One: Clarity, Structure and Sharpening.<\/p>\n\n\n\n


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Remove white speckles<\/a><\/strong><\/p>\n\n\n\n

(Web page<\/em>) SmugMug. Quickly Remove Many Small Spots\/Speckles Without Healing Brush or Clone Stamp in PS.<\/p>\n\n\n\n


How to use a shift lens on your camera<\/a><\/strong><\/p>\n\n\n\n

(Web page<\/em>) Northlight Images. How to use a shift lens<\/p>\n\n\n\n

What they do and why they are so useful.<\/p>\n\n\n\n

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ADVANCED EMULSION: Silver Halide Crystals, Imaging Couplers, Orange Masks and Processing<\/strong><\/a><\/p>\n\n\n\n

(YT Video<\/em><\/em>) After months of research and struggling to find much information online about film layers and the processing stages of emulsion, I got in touch with Kodak who went above and beyond to teach me what I needed to know and help me get all the details right.<\/p>\n\n\n\n

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Artist Links<\/h2>\n\n\n\n


Electric Souvenir<\/strong><\/a><\/p>\n\n\n\n

Web site Andr\u00e9 Hogeslag

Warthog Productions<\/strong><\/a>
Web site Hans Tiemens

Niels de Hoog<\/strong><\/a><\/p>\n\n\n\n

Web site Niels de Hoog

The dot.ico Project | portrait pointillism painting 2.0<\/strong><\/a>
My pointillistic portraits on Flickr


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Premium Photography Links Color negative film inversion (Web page) Alex Burke explains how he developed a manual method for inverting color negatives that works with any film scanning setup, after finding existing software inadequate for drum scans. While plugins like Negative Lab Pro and ColorPerfect offer automation, the manual approach provides greater control, better color […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-660","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/pages\/660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/comments?post=660"}],"version-history":[{"count":15,"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/pages\/660\/revisions"}],"predecessor-version":[{"id":790,"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/pages\/660\/revisions\/790"}],"wp:attachment":[{"href":"https:\/\/luukdeweert.nl\/index.php\/wp-json\/wp\/v2\/media?parent=660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}